Sonic the Hedgehog 3/Development/Music
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Unlike other Sonic games, the music of Sonic the Hedgehog 3 stands as an ongoing controversy for Sega due to the choices made during development. It is not fully understood how much of the soundtrack is owned by the company, having outsourced its production to third-parties, some of which have chosen to distance themselves from the project in later years.
Masato Nakamura, responsible for the soundtracks to the first two Mega Drive Sonic games games, was at the time having a great deal of success with his band, Dreams Come True, leading him up his demands for working on a possible Sonic 3. Nakamura wanted more money; both for his contributions in this new game and for if Sega chose to reuse his compositions for any future Sonic titles. Sega declined, and decided to look elsewhere for the composition power needed in Sonic the Hedgehog 3.
Like Sonic the Hedgehog 2, Sonic the Hedgehog 3 was set to be developed in the United States at the Sega Technical Institute, where a chunk of the original Sonic Team (including Yuji Naka and Hirokazu Yasuhara) were still situated. Answering the call, Sega are thought to have been approached by pop sensation Michael Jackson and his team. Jackson had a history with Sega (most notably producing Michael Jackson's Moonwalker early in the Mega Drive's lifespan) and had visited Sega's offices in Japan some months prior. He liked video games, he liked Sonic the Hedgehog, and Sega accepted immediately.
|“||And you wouldn't believe the celebrities who did cameos. Dustin Hoffman, Michael Jackson...of course they didn't use their real names, but you could tell it was them.||„|
— Lisa Simpson, The Simpsons episode 9F03, "The Itchy & Scratchy Movie"
However, Michael Jackson is not credited in Sonic the Hedgehog 3 (or indeed Sonic & Knuckles - the eventual "second half" of the adventure). Instead, credits go to the following "music composers": Brad Buxer, Bobby Brooks, Darryl Ross, Geoff Grace, Doug Grigsby III and Scirocco (and in addition, Sega's internal sound team and Cube are also confirmed to have composed music for the game). The omission, particularly in the early 90s when only the core team of developers usually made it into the credits, was perhaps not surprising, but still curious as several staff members have mentioned the star by name.
Jackson had a history of going uncredited (or using pseudonyms) in productions, often due to contractual complications. Reportedly Jackson's record label at the time, Epic Records refused permission for the star to sing for any of its potential rivals. The most famous example of this is third season episode of the American animated sitcom The Simpsons, Stark Raving Dad (1991), where despite guest starring as "Micheal Jackson", the credit is given to "John Jay Smith", a person that does not exist. This was later referenced in a season four episode of the show.
In 1993, Michael Jackson became caught up in child sexual abuse allegations and cancelled the final leg of his Dangerous World Tour due to health concerns. General Manager of the Sega Technical Institute at that time, Roger Hector, stated in a 2005 interview and in a follow up video interview on Pop Fiction in 2013 that this scandal lead to Michael Jackson's music being removed. Brad Buxer, a member of Michael Jackson's production team, argued that the music was not removed but instead Michael Jackson was simply uncredited. Additionally, Buxer stated the reason was not the scandal but that Michael Jackson was not satisfied with the sound quality produced by the Sega Mega Drive system.
In 2016, Todd van Luling from the Huffington Post reached out to all of the Western composers involved, and in this article they explained that they had in fact been assembled by Michael Jackson to help compose music for the game and confirmed that the music they made could still be heard in the final release of the game, providing hard evidence on what had been speculated on for more than a decade. Additionally, with the revelation of the Sonic the Hedgehog 3 1993-11-03 prototype in 2019, it appears that the music that Michael Jackson's team produced was used to replace existing tracks in the Sega Mega Drive version, with Sonic & Knuckles Collection retaining the original prototype tracks composed by Sega's internal sound team and Cube. This further points the evidence in the direction of Michael Jackson not wanting to be credited due to the sound quality, as the development team had the option to completely roll back to the original tracks they had prior to the involvement of Michael Jackson if the scandal had been so objectionable.
- 1 Sonic the Hedgehog 3 credits
- 2 Music Soundtrack
- 3 Audio samples list
- 4 Background on Michael Jackson's Team
- 5 Background on SEGA Sound Team and Cube Corp.
- 6 Current issues
- 7 References
Sonic the Hedgehog 3 credits
Michael Jackson's Team
The following people are listed as 'Music Composers' in the ending credits scroll, with Buxer, Grigsby and Jones all confirming in this 2016 Huffington Post article that they worked with Michael Jackson on the soundtrack to Sonic the Hedgehog 3.
- Brad Buxer
- Bobby Brooks
- Darryl Ross
- Geoff Grace
- Doug Grigsby III
- C. Cirocco Jones ("Scirocco")
SEGA Sound Team
The following people are listed under 'SEGA Sound Team' in the ending credits scroll.
- Tokuhiko Uwabo ("Bo")
- Sachio Ogawa
- Yoshiaki Kashima ("Milpo")
- Masaru Setsumaru
- Tatsuyuki Maeda
- Tomonori Sawada
- Masayuki Nagao
- Jun Senoue
Sound Special Thanks
The following people are listed under 'Sound Special Thanks' in the ending credits scroll. Mayumi Nina Sakazaki was Michael Jackson's coordinator, although her role in Sonic 3 is unclear. Nagao has confirmed that Miyoko Takaoka and Masanori Hikichi of Cube contributed music to the game, and that the Opus Corp. credit was placed as he was preparing the join the company during the development. It is unclear what Masanori Nakayama's involvement was, while Howard Drossin would go on to contribute a few tracks for Sonic & Knuckles.
- Mayumi Nina Sakazaki (MRM)
- Cube Corp.
- Opus Corp.
- Masanori Nakayama (Studio Who)
- Howard Drossin
Music SoundtrackThis is a work in progress list to identify the team & composer(s) behind each piece of music in the Sonic 3 & Knuckles game series. Discussion Thread.
|Angel Island Zone||ID||Version(s)||Team||Credit(s)|
|01||ALL||Sega||Act 1: ???|
|02||ALL||Sega||Act 2: ???|
|The compositions for Act 1 and Act 2 were used in an arrangement that Jun Senoue prepared for Super Smash Bros. Brawl. This arrangement was also included in the compilation CD True Blue: The Best of Sonic the Hedgehog. Because Brawl's "Sound Test" credits Senoue for the composition, he has occasionally been listed as the original composer for "Angel Island Zone", but Senoue has stated that this is not the case and the original music composition credits for the Brawl arrangement are attributed to "Sega" on True Blue. The arrangement for Act 1 is unlockable in Sonic Generations and Tee Lopes has rearranged this piece for Sonic Mania Plus. This arrangement is even included on the game's soundtrack. However, in all instances, the composition is broadly attributed to "Sega".|
|03||ALL||Sega||Act 1: ???|
|04||ALL||Sega||Act 2: Masayuki Nagao (Arranger)|
|It was originally believed to be composed by Michael Jackson's team due to Cirocco Jones' website having a section for "Levels 2 & 3" of a Sonic the Hedgehog game with a demo called "The Water". It has been assumed that "Level 2" refers to "Hydrocity Zone". However, this is likely not by Michael Jackson's team. The Act 2 arrangement is significantly more different from the Act 1 arrangement and there are no vocal samples incorporated in either, unlike the other MJ compositions. The "Level 3" mentioned - often assumed to be "Marble Garden Zone" - has been confirmed as possibly being composed by Miyoko Takaoka, a member of Cube Corp. The music for Hydrocity Zone exist in the 1993-11-03 prototype. The arrangement for Act 1 is unlockable in Sonic Generations. Both Acts were rearranged by Tee Lopes for Sonic Mania and included in the game's soundtrack. None of this would have happened if these pieces were not composed in-house.|
|Marble Garden Zone||ID||Version(s)||Team||Credit(s)|
|05||ALL||Cube||Act 1: Miyoko Takaoka (Composer)|
|06||ALL||Cube||Act 2: Miyoko Takaoka (Composer)|
|In 2014, Miyoko Takaoka stated that she had composed the music for "Marble Garden Zone" and an ambiguous "bonus stage" during a correspondence on Twitter. However, when sent links to the bonus stage compositions from Sonic 3, she did not recognize any of them and suspected that her composition was replaced for the final release. She has been credited during an official Sonic Live stream video event in August 2020 for background music being played. The arrangement for Act 1 is unlockable in Sonic Generations, suggesting there's no rights issue for these compositions, and unlikely to be from Michael Jackson's team.|
|Carnival Night Zone||ID||Version(s)||Team||Credit(s)|
|07||S3 Proto, PC||Sega||Act 1: ???|
|S3||M.J.||Act 1: ???|
|08||S3 Proto, PC||Sega||Act 2: ???|
|S3||M.J.||Act 2: ???|
|Both Acts of the S3 version contain music inspiration from "Jam" by Michael Jackson. Most notably in the use of a horn-based "downwards fall" (played directly before Heavy D's rap in the Jackson song). Identical notes between the two songs are highlighted in red:|
|The final note in the sequence is accompanied by a distorted audio sample taken directly from the song "Jam", played on the YM2612's DAC channel. This sample is located in the Sonic 3 ROM. The poor fidelity of the sample playback on the Sega Mega Drive system could be supporting evidence of Brad Buxer's comment in the Black & White interview that Michael Jackson went uncredited as he was unsatisfied with the sound quality.|
|The zone's music also contains rhythms inspired from "Entry of the Gladiators" by Julius Fučík. This piece is in the public domain.|
|Flying Battery Zone||ID||Version(s)||Team||Credit(s)|
|09||ALL||Sega||Act 1: ???|
|0A||ALL||Sega||Act 2: ???|
|The arrangement for Act 1 is unlockable in Sonic Generations. Both Acts were rearranged by Tee Lopes for Sonic Mania and were included on the game's soundtrack, indicating Sega has full ownership of these compositions and that they were composed in-house. The tune is featured as track 3 of the 1994 soundtrack Sonic & Knuckles • Sonic The Hedgehog 3 arranged by Akinori Minami.|
|Ice Cap Zone||ID||Version(s)||Team||Credit(s)|
|0B||S3 Proto, PC||Sega||Act 1: ???|
|S3||M.J.||Act 1: Brad Buxer (Composer)|
|0C||S3 Proto, PC||Sega||Act 2: ???|
|S3||M.J.||Act 2: Brad Buxer (Composer)|
|The S3 version was based on a song called "Hard Times", an unreleased 1982 piece by new-wave band The Jetzons. Brad Buxer was keyboardist for the band & was credited in Sonic 3. "Hard Times" was unheard by the general public until 2008, when it appeared as part of The Complete Jetzons compilation. Broadcast Music, Inc. (BMI), an authority on music credentials, also attributes Bruce Connole as songwriter/composer for "Hard Times". Connole was vocalist for the 1982 composition. The compositions for Ice Cap Zone has never been officially released by Sega in any official capacity.|
|While unlikely that Michael Jackson had direct involvement in this tune, a good portion of "Smooth Criminal" shares chord structures similar to Act 1. This is especially noticeable in the version that plays in the Moonwalker movie, which isn't found on the Bad album. Roughly 6 minutes into the song, following the bass solo after the quiet orchestral section (as Jackson and the gangsters perform the Anti Gravity Lean), the bass line & string section clearly changes to a piece of music very similar to Ice Cap Zone. After the main bass line returns, a keyboard continues to play the Ice Cap chord sequence until the end of the song.|
|Jackson's "Who Is It" is also very similar to the zone. The keyboard section under the chorus, when sped up, has an almost identical chord structure and texture to that of the Sonic 3 level.|
|Regarding Ice Cap's prototype music, Tomonori Sawada is speculated to have composed the prototype's music due to similarities in Sonic 2's Crystal Egg Zone music for Game Gear. No official source has confirmed it to be the case at this time.|
|Launch Base Zone||ID||Version(s)||Team||Credit(s)|
|0D||S3 Proto, PC||Sega||Act 1: ???|
|S3||M.J.||Act 1: ???|
|0E||S3 Proto, PC||Sega||Act 2: ???|
|S3||M.J.||Act 2: ???|
|The compositions for Launch Base Zone has never been officially released by Sega in any official capacity.|
|Mushroom Hill Zone||ID||Version(s)||Team||Credit(s)|
|0F||ALL||Sega||Act 1: ???|
|10||ALL||Sega||Act 2: ???|
|Also known by its prototype name "Mushroom Valley Zone", this tune is featured as track 2 of the 1994 soundtrack Sonic & Knuckles • Sonic The Hedgehog 3 arranged by Akinori Minami. Three arrangements of "Mushroom Hill Zone" were made for the Nintendo 3DS version of Sonic Generations and are included in the game's soundtrack. The Act 1 composition is an unlockable piece in the console version of Generations.|
|11||ALL||Sega||Act 1: ???|
|12||ALL||Sega||Act 2: ???|
|The tune is featured as track 5 of the 1994 soundtrack Sonic & Knuckles • Sonic The Hedgehog 3 arranged by Akinori Minami. Though Howard Drossin included a piece of the same name in the album Virtual Sonic, the composition is completely different from the one used in-game. An arrangement of this piece by Tee Lopes and Jun Senoue - dubbed "Boo's House" - was included in Team Sonic Racing. This arrangement is on the official Sonic YouTube Channel and the game's soundtrack. In the latter, the original game music composition is broadly attributed to "Sega".|
|Lava Reef Zone||ID||Version(s)||Team||Credit(s)|
|Used only for the Zone's first Act. Act 2 uses the music for Hidden Palace Zone. The composition was rearranged by Tee Lopes for Sonic Mania and is included on the game's soundtrack, where its original composition is broadly attributed to "Sega". This tune is featured as track 6 of the 1994 soundtrack Sonic & Knuckles • Sonic The Hedgehog 3 arranged by Akinori Minami.|
|Hidden Palace Zone||ID||Version(s)||Team||Credit(s)|
|14||ALL||Sega||Masayuki Nagao (Arranger)|
|Is also used as Lava Reef Zone's Act 2 music. The composition was rearranged by Tee Lopes for Sonic Mania and is included on the game's soundtrack, where its original composition is broadly attributed to "Sega".|
|Sky Sanctuary Zone||ID||Version(s)||Team||Credit(s)|
|This piece is also used as the ending cutscene music for S&K and S3&K before the staff roll. This track has been used extensively in recent releases: it has been rearranged for Mario & Sonic at the Olympic Winter Games, Sonic Generations, and Sonic & All-Stars Racing Transformed. In all instances, the original game composition is broadly attributed to "Sega". The tune is featured as track 8 of the 1994 soundtrack Sonic & Knuckles • Sonic The Hedgehog 3 arranged by Akinori Minami.|
|Death Egg Zone||ID||Version(s)||Team||Credit(s)|
|16||ALL||Sega||Act 1: ???|
|17||ALL||Sega||Act 2: ???|
|The tune is featured as track 9 of the 1994 soundtrack Sonic & Knuckles • Sonic The Hedgehog 3 arranged by Akinori Minami.|
|18||S3 Proto, S&K, PC||Sega||???|
|2E||S3||M.J.||Brad Buxer (Composer)|
|Sonic 3 version built upon Knuckles' Theme (Sonic 3 version). Likely composed by Brad Buxer. Features similar chord progression used in Is It Scary from the Blood on the Dancefloor album. Geoff Grace is credited as arranger. Tune ID #18 is featured as the first of two parts on track 4 (The Boss) of the 1994 soundtrack Sonic & Knuckles • Sonic The Hedgehog 3 arranged by Akinori Minami. Voice samples used in Tune ID #2E (such as "Come On!") can be heard in track 7 (Robotnik's Revenge) of the 1996 album Virtual Sonic, featuring music by Howard Drossin.|
|2E||S3 Proto, PC||Sega||???|
|Was replaced in Mega Drive versions with sub-boss music.|
|The tune is featured as the second of two parts on track 4 (The Boss) of the 1994 soundtrack Sonic & Knuckles • Sonic The Hedgehog 3 arranged by Akinori Minami.|
|The Doomsday Zone||ID||Version(s)||Team||Credit(s)|
|The tune is featured as the second of two parts on track 10 (Boss The Boss) of the 1994 soundtrack Sonic & Knuckles • Sonic The Hedgehog 3 arranged by Akinori Minami.|
|Bonus Stage (Rolling Jump)||ID||Version(s)||Team||Credit(s)|
|Also known as the "Glowing Spheres Bonus Stage", it is the first of three parts of track 7 (Rings And Diamonds Land) on the 1994 soundtrack Sonic & Knuckles • Sonic The Hedgehog 3 arranged by Akinori Minami. Although VGMdb lists the first section of that track as being composed by Jun Senoue, no evidence on the disc's physical documentation lists composers to associate with any of its tracks.|
|Special Stage (Blue Spheres)||ID||Version(s)||Team||Credit(s)|
|1C||ALL||Sega||Yoshiaki Kashima (Composer)|
|Was recycled from the unreleased SegaSonic Bros. for the Sega System C2 in 1992 from Stage 40 to 49 gameplay music. The music is also listed as track 15 on the compilation CD Sonic The Hedgehog 10th Anniversary and was rearranged by Tee Lopes for Sonic Mania. The tune is also featured as the third of three parts on track 7 (Rings And Diamonds Land) of the 1994 soundtrack Sonic & Knuckles • Sonic The Hedgehog 3 arranged by Akinori Minami.|
|Bonus Stage (Slot Machine)||ID||Version(s)||Team||Credit(s)|
|1D||ALL||Sega||Jun Senoue (Composer)|
|The tune is featured as the second of three parts on track 7 (Rings And Diamonds Land) of the 1994 soundtrack Sonic & Knuckles • Sonic The Hedgehog 3 arranged by Akinori Minami. One of the unused music found in Sonic 3D Blast's Mega Drive prototype 825 (as demonstrated by Sonic 3D Blast's game designer and implementer Jon Burton) includes this tune as a placeholder for Knuckles' special stage, during the time each special stage was developed to have their own tunes. He credits the tune to Jun Senoue.|
|Bonus Stage (Gumball)||ID||Version(s)||Team||Credit(s)|
|1E||ALL||Sega||Jun Senoue (Composer)|
|Confirmed through interview with the composer.|
|1F||S3 Proto, PC||Sega||???|
|S3||M.J.||Brad Buxer (Composer)|
|S&K||Sega||Howard Drossin (Composer)|
|Music used in the prototype occurs during cutscenes with Knuckles at the end of AIZ Act 2 & HZ Act 2 (but not at start of AIZ Act 1). The same music is used in the Sonic & Knuckles Collection PC version. The Sonic 3 version of the 4-bar swinging hip-hop beat was heavily inspired by the drum beat of "Blood on the Dance Floor" by Michael Jackson (drum programming credited to Brad Buxer). Howard Drossin's tune is featured as track 12 of the 1994 soundtrack Sonic & Knuckles • Sonic The Hedgehog 3 arranged by Akinori Minami, and track 2 (Knucklemania) of the 1996 album Virtual Sonic.|
|No notes yet.|
|21||ALL||Sega||Jun Senoue (Composer)|
|Composition credit shared with Sega Sound Team on the Sonic Generations Original Soundtrack: Blue Blur music CD (Disc 2, Track 24).|
|No notes here.|
|No notes here.|
|The melody bears similarities to "Escape from the City" from Sonic Adventure 2, composed by Jun Senoue. However, Senoue himself has stated that said track is not based on Endless Mine Zone's music, nor does he mention working on this piece. Regardless, Cash Cash incorporated the melody for this piece in their Act 1 arrangement of "Escape from the City" for Sonic Generations, during which the player controls Classic Sonic. The original music composition for this arrangement is solely attributed to Senoue on the Blue Blur soundtrack CD.|
|25||S3C Proto, S3, PC||Sega||Tomonori Sawada (Composer)|
|S&K, PC||Sega||Howard Drossin (Composer)|
|Title screen music changes in the PC version based on the game combination the player chooses to play. Howard Drossin's tune is featured as track 1 of the 1994 soundtrack Sonic & Knuckles • Sonic The Hedgehog 3 arranged by Akinori Minami, and track 6 of the 1996 album Virtual Sonic.|
|26||S3 Proto, PC||Sega||???|
|S3||M.J.||Brad Buxer (Composer)|
|DC||S3C Proto||Sega / Cube / M.J.||Various|
|Staff roll used in the PC version accessible through Sound Test of the prototype. The Sonic 3 version was the basis of a Buxer-Jackson collaboration "Stranger In Moscow", as confirmed in the Black & White magazine interview, and episode 100 of TheMJCast audio interview. Brad Buxer used the same chords. The synth/strings section, as heard in the intro before the lyrics start, is identical to the sequence that plays during the first section of the staff roll. Particularly unusual about this find is that Stranger In Moscow was not released until a full two years after Sonic 3. It has been suggested that the staff roll may have been a prototype to this song. The Sonic 3C 0517 prototype changed the staff roll music to incorporate themes from Zones of the S3 & S&K games. However, the final mix is a medley of S&K Zones only.|
|27||ALL||Sega||Jun Senoue (Composer & Arranger)|
|Is credited in the Mega Drive version of Sonic 3D: Flickies' Island for the same cue Also used for the "Time Over" cue if spending 10 minutes in an Act.|
|2-Player Results (Competition)||ID||Version(s)||Team||Credit(s)|
|28||ALL||Sega||Jun Senoue (Composer & Arranger)|
|Is credited in the Mega Drive version of Sonic 3D: Flickies' Island as the Congratulations Screen music when unlocking Level Select. This music was also used as the Continue Screen music, and the No Way? No Way! Screen music when locking the S&K cart onto another Mega Drive cart.|
|29||ALL||Sega||Jun Senoue (Composer & Arranger)|
|Is credited in the Mega Drive version of Sonic 3D: Flickies' Island for the same cue.|
|2A||S3 Proto, S3, PC||Sega||Tomonori Sawada (Composer)|
|S&K, PC||Sega||Howard Drossin (Composer), Masaru Setsumaru (Arranger)|
|S3 version based off the S3 title screen. Likely one of the jingles Sawada referred to composing. This piece was used in a Progressive Insurance commercial in 2012. S&K version uses the tune of the S&K title screen. This tune is likely associated with Drossin. The PC version switches depending on the game combination the player choose to play.|
|2B||ALL||Sega||Yukifumi Makino (Composer & Arranger)|
|Used as early as Sonic the Hedgehog for the Mega Drive.|
|2C||S3 Proto, S3, PC||Sega||Tomonori Sawada (Composer)|
|S&K, PC||Sega||Howard Drossin (Composer)|
|Also used as the theme to the character's Super/Hyper transformation. S3 version based off the S3 title screen. Likely one of the jingles Sawada referred to composing. Was also used during a Progressive Insurance commercial in 2012. S&K version uses the tune of the S&K title screen. This tune is likely associated with Drossin. The PC version switches depending on the game combination the player choose to play.|
|2D||S3 Proto, PC||Sega||???|
|Prototype didn't use music (was only accessible in the Sound Test), but is used as Competition Menu in Sonic & Knuckles Collection. Mega Drive version is the only MJ team-composed track to use regular drums rather than samples exclusive to it.|
|This piece has been remixed by Naofumi Hataya for Sonic Gems Collection as "Sonic3 MegaD Mix" and was later included in the 2008 CD True Blue: The History of Sonic the Hedgehog. It was also rearranged for the Gallery Room in Sonic Generations and is included in the game's Blue Blur soundtrack. In all instances, the original game composition is broadly attributed to "Sega".|
|Final Boss Theme (Big Arm)||ID||Version(s)||Team||Credit(s)|
|This piece has been rearranged by Cash Cash for the 3DS version of Sonic Generations and by Tee Lopes for "Part 5: Metal Mayhem", the final episode of Sonic Mania Adventures. On the Blue Blur soundtrack for Generations, the original music composition is broadly attributed to "Sega". The tune is also featured as the first of two parts on track 10 (Boss The Boss) of the 1994 soundtrack Sonic & Knuckles • Sonic The Hedgehog 3 arranged by Akinori Minami.|
|31||ALL||Sega||Yukifumi Makino (Composer)|
|Used as early as Sonic the Hedgehog for the Mega Drive.|
|32||S3, PC||Sega||Tomonori Sawada (Composer)|
|S&K||Sega||Howard Drossin (Composer)|
|The S&K version is unused.|
Audio samples list
|Download Sonic 3 Samples (WAV Format)
File: S3sampswav.rar (125 kB) (info)
|DAC Audio Samples List||ID||Type||Source||Description / Usage|
|82||Drum||Same as 83, 84, 85||Tom|
|83||Drum||Same as 82, 84, 85||Tom|
|84||Drum||Same as 82, 83, 85||Tom|
|85||Drum||Same as 82, 83, 84||Tom|
|88||Drum||Kick + Cymbal|
|8A||SFX||Same as 8B||Hit (Metal)|
|8B||SFX||Same as 8A||Hit (Metal)|
|8D||Drum||Same as 8E|
|8E||Drum||Same as 8D|
|90||Drum||Same as 91, 92, 93||E.Tom|
|91||Drum||Same as 90, 92, 93||E.Tom|
|92||Drum||Same as 90, 91, 93||E.Tom|
|93||Drum||Same as 90, 91, 92||E.Tom|
|94||Drum||Same as 95, 96, 97||E.Snare|
|95||Drum||Same as 94, 96, 97||E.Snare|
|96||Drum||Same as 94, 95, 97||E.Snare|
|97||Drum||Same as 94, 95, 96||E.Snare|
|98||Drum||Same as 99, 9A||Timpani|
|99||Drum||Same as 98, 9A||Timpani|
|9A||Drum||Same as 98, 99||Timpani|
|9F||Sample (Original)||Michael Jackson: "Jam"||"Jam!" long (Played at 13.5kHz) / Carnival Night Zone|
|A0||Sample (Original)||Michael Jackson: "Jam"||"Jam!" short (Played at 13.5kHz) / Carnival Night Zone|
|A1||Sample (Original)||Michael Jackson: "In The Closet" ()||Glass Break 1 / Carnival Night Zone|
|A2||Sample (Original)||Michael Jackson: "In The Closet" ()||Glass Break 2 / Carnival Night Zone, Launch Base Zone|
|A5||Sample (Sample Pack)||Norman Cook: "Skip To My Loops" (Track 64)||"Come On!" / Sub-Boss Theme (S3)|
|A9||Sample (Sample Pack)||Norman Cook: "Skip To My Loops" (Track 64)||"Woo!", "HUH" / Sub-Boss Theme (S3)|
|AA||Sample (Sample Pack)||Run-DMC: "Peter Piper" (1:56)||"Go!" / Launch Base Zone|
|AB||Sample (Edited Sample Pack)||Same as AA sample with snare drum added||"Go!" + Snare / Launch Base Zone|
|AD||Percussion||Same as AE||Hit (Wooden)|
|AE||Percussion||Same as AD||Hit (Wooden)|
|AF||Percussion||Same as B0||Hit (Metal)|
|B0||Percussion||Same as AF||Hit (Metal)|
|B2||Clap||Same as B3||/ Knuckles' Theme (S3)|
|B3||Clap||Same as B2||/ Knuckles' Theme (S3)|
|B4||Sample||Same as C1, C2, C3, C4||Chord Stab|
|B6||Sample (Original)||James Brown: "Say It Loud, I'm Black & I'm Proud" ()||"Yeah", "Hey" + Kick / Knuckles' Theme (S3), Sub-Boss Theme (S3)|
|B8||Sample||Same as B9||Chord Stab|
|B9||Sample||Same as B8||Chord Stab|
|BE||Sample (Edited Sample Pack)||Same as A9 plus glass break added||"Woo!" + Glass Break / Sub-Boss Theme (S3)|
|C0||Sample (Original [?])||Breath|
|C1||Sample||Same as B4, C2, C3, C4||Chord Stab|
|C2||Sample||Same as B4, C1, C3, C4||Chord Stab|
|C3||Sample||Same as B4, C1, C2, C4||Chord Stab|
|C4||Sample||Same as B4, C1, C2, C3||Chord Stab|
|XX||Sample||Similar to BC||Chord Stab|
Background on Michael Jackson's Team
|“||Sonic 3 (also called Sonic & Knuckles) was a lot of fun, but it was also very difficult. Michael Jackson was originally brought in to compose all the music for the game, but at the very end, his work was dropped after his scandals became public. This caused a lot of problems and required a lot of reworking. But the game turned out great in the end.||„|
— Roger Hector, General Manager of the Sega Technical Institute
In an interview in August 2005, Roger Hector, the "executive coordinator" of both Sonic 3 and Sonic & Knuckles, confirmed that Michael Jackson composed all the music for the game, but was dropped due to the 1993 scandal. This was backed up by a separate interview two years later, claiming that the Jackson soundtrack was never heard by the general public.
While Hector was not directly involved in Sonic 3's development, his role was to manage all projects at STI, and was usually involved with high level discussions (Jackson's signing and dismissal being two of them).
|“||The music fitted perfectly for the game, and they had a distinctive 'Michael Jackson' sound. We had it all ready and integrated into the game when the first news stories came out accusing him child molestation, and Sega had to back away from the collaboration...It was too bad nobody outside ever heard the Michael Jackson music.||„|
— Roger Hector, Executive Coordinator, Sonic 3 & Knuckles
This was the first confirmation we had about Michael Jackson's involvement in the game.
Brad Buxer, credited in Sonic 3, was a long-time contributor with Michael Jackson. He is the co-writer of the 1996 hit, Stranger in Moscow, and was also involved with the production of Jam and Who Is It, all of which are thought to share similarities with the Sonic 3 soundtrack.
Black & White Magazine (2009) Interview
Buxer shed some light into Michael Jackson's involvement in a December 2009 interview with Black & White Magazine. In this interview, Buxer confirms that the final release of Sonic 3 does contain at least one piece of work by Michael Jackson:
|“||B&W: Can you clarify the rumor that Michael had in 1993 composed the music for Sonic 3 video game, for which you havel been credited?
Buxer: I've never played the game so I do not know what tracks on which Michael and I have worked the developers have kept, but we did compose music for the game. Michael called me at the time for help on this project, and that's what I did.
And if he is not credited for composing the music, it's because he was not happy with the result sound coming out of the console. At the time, game consoles did not allow an optimal sound reproduction, and Michael found it frustrating. He did not want to be associated with a product that devalued his music...
B&W: One of the surprising things in this soundtrack is that you can hear the chords from Stranger in Moscow, which is supposed to have been composed later...
Buxer: Yes, Michael and I had composed those chords for the game, and it has been used as base for Stranger in Moscow. [...]
— An excerpt from the Black & White Magazine interview with Brad Buxer
According to this statement, Jackson did not wish to be credited by name in the game because he was unhappy with the quality of sound the Sega Mega Drive's Yamaha YM-2612 sound chip produced. Buxer's statement also confirms that the similarity between Jackson's "Stranger in Moscow" and Sonic 3's ending credits song are not a coincidence, and that the credits theme indeed uses chords originally composed by him and Buxer.
However, these statements directly contradict what Roger Hector has said.
The MJCast (2019) Interview
In May 2019, Buxer was featured giving an interview on the The MJCast where he talked about the origin of Stranger in Moscow and his work on Sonic 3:
Buxer describes how he was assigned by Michael Jackson to start composing the music for the game, and it was Buxer who "delegated other people to help...like Doug Grigsby and Darryl Ross and other people."
Brad Buxer frames himself in the interview as being the lead on the Sonic 3 project, with Michael Jackson having less personal involvement.
Buxer states that in the end they had about 41 music cues ready for the game.
This suggests that it is possible that every act and zone had a track composed for it, even zones planned for Sonic & Knuckles, but we know that only a few appeared and only in Sonic the Hedgehog 3 alone. If this is true, it could provide an explanation as to why Roger Hector feels that people never heard the Michael Jackson soundtrack. Sonic & Knuckles features no tracks by Michael Jackson's team, and only a small number of the tracks made it into Sonic the Hedgehog 3, in contrast to all of the tracks Michael Jackson's team produced.
According to Roger Hector, Howard Drossin is said to have been brought in to replace Michael Jackson's music, but also goes uncredited in Sonic 3. He is, however, the main composer behind Sonic & Knuckles (and is credited there).
Drossin, when recollecting his involvement in the soundtrack in August 2008, was adamant that Michael Jackson had nothing to do with the final product, but went on to say that he was not responsible for the bulk of the soundtrack as Roger Hector claimed, but only a handful of his tracks made it into the final product, most exclusive to Sonic & Knuckles.
When locked onto Sonic 3, Sonic & Knuckles creates Sonic 3 & Knuckles. When this occurs, the miniboss and Knuckles themes (and most of the jingles) from Sonic 3 are replaced with their Sonic & Knuckles counterparts, most of which were composed by Drossin. So in this context, some Sonic 3 tracks were replaced by Drossin's compositions, but the true reasoning for why remains unclear.
A discography of another musician (or "music consultant") working on the game, Cirocco Jones (appearing as 'Scirocco' in the Sonic 3 credits), lists a "levels 2 & 3" as being composed by Michael Jackson and belonging to "Sonic The Hedgehog". While "levels 2 & 3" could be referring to Hydrocity Zone and Marble Garden Zone, respectively, it could easily be referring to prototype level ordering, or indeed the order in which the group composed music.
Correspondence between him and Sonic Retro members has revealed that him and the other composers spent "countless hours" working with Michael, while trying to make sure it fit Sega's needs. He also revealed that there may be a lawsuit going on or about to go on as Sega owes them money.
In addition to Brad Buxer and Cirocco Jones, other credited composers are known to have worked alongside Michael Jackson in the early-to-mid 1990s.
Robert Green "Bobby" Brooks was working with Michael and his siblings as an audio engineer, possibly from as early as their Motown years. Darryl Ross was also an engineer working with the star, Geoff Grace a composer, and Doug Grigsby III produced some of Jackson's material during this time period. All four were involved in the creation of Michael Jackson's next album, HIStory: Past, Present and Future, Book I which released in 1995, and none are known to have previously worked in video games (or indeed since in most cases).
Background on SEGA Sound Team and Cube Corp.
Uwabo has stated that he was responsible for management of the game's sound development, which involved assigning the staff at Sega and contracting other composers. He did not do any work on the sound itself.
In a 2001 interview, he revealed he composed the special stage theme, previously used in SegaSonic Bros., which also happens to have more tracks that made it into later games. He stated that he was unable to go into further detail due to the confidentiality of the information.
|“||I composed a music for "spacial stage". and I work for Sonic3,in the others,too. but sorry.I cannnot tell the detail. because,it's confidential information.||„|
— Yoshiaki Kashima
According to Facebook PMs between Setsumaru and Sonic Retro members, he was responsible for sound programming along with Yoshiaki Kashima. He was also responsible for sound effects and arrangement, although not music composition.  He has also stated that he felt it was an honor to work on the same project as Michael Jackson.
Sawada stated in a SoundCloud PM in 2015 that he did not compose Sky Sanctuary's music, previously assumed to be his based on the SONIC THE HEDGEHOG 10th Anniversary CD crediting the five Sonic 3 & Knuckles tracks to him, Kashima, and Drossin. He stated that he composed 3's title screen music and some jingles instead. He also said that he is no longer able to tell who did each track anymore, most likely due to him no longer having the documentation. He has been contacted about the prototype's music although he did not respond, possibly due to the confidentiality of such information. It is possible that he composed prototype Ice Cap's music, based on its similarities to Crystal Egg from the 8-bit version of Sonic the Hedgehog 2.
Nagao has confirmed he was involved with arrangements and programming, including Hydrocity Zone Act 2. He also "produced" more than half of the songs for the game, which likely means he programmed them. Opus Corp. is mentioned in the credits as Nagao was getting ready to join the company while working on the game.
In a 2002 interview, he mentions that the bonus stage tracks were composed by him. However, he is unable to reveal details, due to "so much secret things". When asked on Twitter about who did what for Sonic 3 & Knuckles' music, he simply stated that Sega done all of it, neither going into detail about who did what nor acknowledging the involvement of third parties.  In 2010, he stated in a Nintendo Power magazine that he knows "quite a lot" about Jackson's involvement, but cannot disclose it.
During correspondence with Takaoka and a fan, she stated she composed the music for Marble Garden Zone and bonus stage music. After being shown the bonus stage music in the game, she did not recognize any of it as hers and believes that her track may have went unused. The same may have been the case for Marble Garden's music too, as some fans familiar with her work do not feel it sounds like her.
In the modern age, video game companies have become increasingly wary of re-releasing games in their back catalogue that they may not own the full rights to. The changes seen in Sonic & Knuckles Collection would suggest the music in Sonic the Hedgehog 3 has been presenting a problem since Sonic the Hedgehog 3 and Sonic & Knuckles were brought to Windows PCs in the form of Sonic & Knuckles Collection at least in 1997.
In that edition, six tracks (Carnival Night, IceCap, Launch Base, the credits to Sonic the Hedgehog 3, Knuckles' theme in Sonic 3 and the Competition menu) had entirely different compositions, and the Mini-Boss theme is always the Sonic & Knuckles version, with the slot for the Sonic 3 version being replaced with an entirely different (and unused) song. Sega isn't thought to have been challenged on the use of Sonic 3's music, but it remains a thorny issue to this day.
Initially it was believed to be replacements to avoid rights issues, however as these tracks are present in the Sonic the Hedgehog 3 (prototype; 1993-11-03) people have speculated that the PC version may have been in simultaneous development as the Sega Mega Drive version. It is possible that the compositions in the PC/Prototype were what was originally planned before Michael Jackson's team was introduced, and only the development team working on the Sega Mega Drive version got the compositions produced by Michael Jackson's music team.
No subsequent Sonic game has ever revisited Carnival Night, Ice Cap or Launch Base Zone. Sonic Generations and Sonic Mania avoid these levels, and likewise, the music accompanying Knuckles or the mini boss has never been heard outside of Sonic 3. The lone exception is Lego Dimensions, which included Carnival Night and Ice Cap but sidestepped the issue by not licensing any music from the Mega Drive titles, opting instead to compose new soundalike tracks for all the zones. Curiously, however, some of the replaced Sonic 3 jingles have turned up in newer games (such as the title screen and 1-up theme), which would suggest Sega owns the rights to those, but a game like Sonic Pocket Adventure, whose entire soundtrack is lifted from Sonic 3 and Sonic & Knuckles has no signs of the so-called Jackson tracks.
Despite being offered by Christian Whitehead, Sega chose not to offer remastered mobile versions of Sonic the Hedgehog 3 in a similar manner to the 2013 releases of Sonic the Hedgehog and Sonic the Hedgehog 2. Likewise while other mobile versions of Sonic 1 and Sonic 2 were commissioned, none were released for Sonic 3.
Sonic 3 is less widely available than its Mega Drive counterparts - while included where it is expected (e.g. Sonic Jam or Sonic Mega Collection), it is often neglected in budget Mega Drive consoles made by AtGames, and is missing from the 2018 release of Sega Mega Drive Classics, despite virtually every other first-party Mega Drive game making an appearance.
There is no concrete evidence that the music holds Sonic 3 back, however there have been similar cases where the publisher has been reluctant to re-release games that may present legal issues. Nintendo's Earthbound on the Super NES is one such example - the Virtual Console release was held back for years because much of the game's soundtrack samples popular songs from The Beatles and elsewhere.
- wikipedia:Itchy &_Scratchy: The Movie
- Milpo Interview by LOst (July 23, 2001)
- Jun Senoue interview by LOst (June 2002)
- Sonic the Hedgehog 3/Development/Music#Howard_Drossin_interview
- Sonic Retro forum thread: The "Sonic The Hedgehog 3 & Knuckles" Quest for Music Composer Research; post #951242 by ICEknight
- Roger Hector interview by hxc (August 2005)
- Brad Buxer Interview (Black & White, November/December 2009)
- Howard Drossin interview by SageXPO (August 2008)
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